John Keats Romantic Escapist English Literature Essay

John Keats Romantic Escapist side Literature turn upLike any amatory poets, Keats seeks an escape in the one fourth dimension(prenominal). His mental imagery is attracted by theancient Greeksas well as by the glory and richness ofMiddle Ages. He rarely devotes himself to the pressing problems of the present. Hyperion, Endymion and vampire are either holy in theme, though romantic in style. Keats this finds an escape into the past from the despotic realities of the present.Also Keats themes are romantic in nature. Most of his metrical compositionis abandoned to the quest of yellowish pink. Love, chivalry, adventure, pathos these are some of the themes of his poems. A nonher strain that runs with his rime is the constant fear of death, which finds very beautiful takeion in his sonnet, When I Have Fears. A nonher theme of his numbers is disappointment in love, which post be seen in La Belle Dam Sans Merci.Like tot wholey romantics, Keats loves nature and its varied cha rms. He transfigures every affaire into beauty that he touches with magic blow over of chance. He says in Ode to Nightingale,Tis not through envy of thy happy lot, scarcely being too happy in thine hap smartss,Beauty is Keats religion and he is very romantic is his frank sake of beauty and in that pursuit of beauty, he completely forgets himself and the world around him.The romantic quality in literature has been defined by Pater as,The addition of strangeness to the beauty.All sorts of poetry deals with beauty in one flair or the other, scarcely romantic poetry goes a step ahead and imparts strangeness to the beauty. Keats sees beauty in ordinary things of nature. Earth, to him, is a place of where beauty re in the altogethers itself everyday, the sky is full of colossal cloudy figures of high romance. Keats loves beauty in the flower, in the stream and in the cloud precisely he loves it in each thing as a part of Universal Beauty, which is unconditioned the mighty abstrac t desire of Beauty.Thou was not born for death, immortal birdThe song of the nightingale becomes a symbol of the universal spirit of beauty. The nightingale is, for Keats, the symbol of unlimited comfort, infinite happiness and universal spirit of beauty. Pursuit of the unkn bear, the invisible and infinite inspires the creation of whole the romantic poetry of the world.Last plainly not least, both in terms of diction and metres, Keats poetic style is romantic. though it has classical finish, it possesses that romantic tough of suggestiveness by which more is meant than meets the ear. Keats has employed dissimilar kinds of metres and stanzaforms in his poetic work. He is one of the greatest sonneteers inEnglish languageand his Odes with their musical flow in long stanzas, stand as unique specimen of romantic poetry.Keats was true romantic poet, because his attention was not only if beauty except also the true. He saw beauty in truth and truth in beauty.Beauty is truth, trut h beauty, that is allYe know on earth, and all ye need to know.He persistently endeavoured to chord the world of resource with the world of reality. on that pointfore, Middleton Murray calls Keats a true romantic.A sodding(a) poet feels and expresses his exuberate in beauty, but when he feels this joy, he realizes also a new aspect of beauty, which is truth. In this identity of beauty and truth, lies the harmony of universe. Keats realizes this harmony when he says that truth and beauty are the same thing.Wordsworth and Shelley both had theories but Keats has none. We offernot accuse Keats of any withdrawal or refusal he was merely active his business and his business was that of a pure poet. (T. S. Eliot)For Keats, the necessary quality of poetry is submission to the things as they are, without any effort to intellectualize them into something else. Keats often says that the poet must not live for himself, but must feel for others, and must do good, but he must do so by be ing a poet, not by being a teacher or moralist. There is no didacticism in Keats as there is in Wordsworth. He delivers what he sees the pleasures of seeing nature and beauty.Where are the songs of Spring? Ay, where are they?Think not of them, thou hast thy music too.At one time he downslope about the songs of Spring and but then he sees the beauties of Autumn and involves himself in them. He instantly forgets the pain of losing songs of Spring and starts admiring Autumn.The idea ofFrench mutationhad awakened the youthful passions of both Wordsworth and Coleridge they had stirred the wrath of Scott they had worked like barm on Byron. They had brought forth new matters for Shelley who re-moulded them and turned them into prophecy of the future. There was only one poet, Keats, of that age who they could not affect in any way whatsoever.Keats was so preoccupied with beauty that he turned a craft eye to the actualities of flavor around him. (Stopeford Brooke)It is true that Keats p oetry does not express the revolutionary ideas of his age, but Keats was a pure who expressed in his poetry the most worth while part of himself and it was his vision of beauty, which was also truth to him. If his aim was to pursue beauty, which was also truth to him, he cannot be called an escapist, for in pursuing beauty, he pursued truth.The poetry of Keats shows a gradual butt on of development. His previous experiments in verse are products of youthful imagination, immature and overcharged with imagery. The new poet has abnormal sensibility, but lacks experience of life. Endymion opens with the famous line A thing of beauty is a joy forever, it is full of glorious promise but it is lost in shadows and uncertainties, because it is not based upon experiences of life. In the Odes, Keats poetry assumes a deeper tone. There he faces the sorrows and sufferings of life. He would wish for a life of joy and happiness, like that of nightingale.Fade far away, and quite forgetWhat thou amongst the leaves hast neer known,The weariness, the fever, and the fret,There, where men sit and hear each other groan(Ode to Nightingale)frankincense he longed to escape from realities of life, but it was a passing mood that seized him when he was contrasting the lot of man with that of the nightingale. Sorrows and sufferings are inevitable in life and he fully realized that escape from realities of life was neither workable nor desirable. In Hyperion, he wroteNone can usurp the height . only if those to whom miseries of the worldAre miseries, and will not let them rest.In a sonnet, he saysHow fevered that man who cannot lookUpon his mortal days with temperate blood.Keats was trying to attain serenity of mood in the midst of all the sufferings which he was undergoing in his own life and which he saw all around him. This mood of serenity is expressed in Ode to Autumn, which accordingly to Middleton Murray,The finished and unforced utterance of the truth contained in the magic linguistic process (of Shakespeare) Ripeness is all.For Keats, earlier hankering for the world of Flora and Pan for unreflecting enjoyment of sensuous delights is past he now subjected himself persistently and unflinchingly to life. He faced life with all uncertainties and contradictions, its sorrows and joys. The lines Where beauty cannot keep her lustrous eyes,Or new love pine at them beyond tomorrow.(Ode to Nightingale)are thrilled with aching hopelessness. In Ode to Melancholy, he says,dwells with beauty beauty that must dieMelancholy arises from transience of joy and joy is transient by its nature. Therefore Keats accepts life as a whole with its joys and beauty as well as its sorrows and despair.To quote the words of Middleton Murray about Ode on a Grecian Urn,These lines contain deep experience purchase at the full price of deep suffering. They are symbol and prophecy of a comprehension of human life to which mankind can attain.Keats study of Lemprieres Classical Diction ary fully acquainted him with the Greek mythology and he loved every bit of it, and freely used it in his poetry. The stories of Endymion, Lamia and Hyperion, are based upon Greek legends. In his Ode to Psyche andOde on a Grecian Urn, the subjects are Greek, and the poet while expressing his passion for beauty transports himself in his imagination to the days of ancient Greeks.But the most important factor is Keats Hellenism was his own Greek temper the inborn temperamental Greekness of his mind. The power of seeing things with a childs amazement and forgetfulness was the temper of Keats, as it was the temper of Greeks i.e. half-worship added half-joy.The instinctive Greekness of Keats mind lies in his passionate pursuit of beauty, which is the very soul of his poetry. His passion for beauty finds a concrete expression in his Ode to PsycheYes, I will be thy priest and buld a faneIn some untrodden regions of my mind,Where branched thoughts, new grown with pleasant painInstead of pi ne shall murmur in the wind.The Greek did not burden their poetry with philosophy or eldritch message. Their poetry was incarnation of beauty, and existed for itself. Similarly, Keats was pure poet. He enjoyed unalloyed pleasure in nature, which for him, did not carry any philosophical or spiritual message. last(a) it, Keats, possesses the qualities of romantic and pure poet he loves nature, which is seen by him with Greek temper. He neer thinks about past and future and his only concern is the present time the present moment of beauty and truth. In his early poetry, one can perceive him as an escapist because there was joy and delight and overcharged imagination because of inexperience youth. But with gradual development of thought and experience, he comes to the mop up that sorrows and joys are always together rose cannot be taken without its thrones. one can clearly sees in his Odes that he is not an escapist but he is accepting the realities of life.There is something of the innermost soul of poetry in almost everything he wrote. (Tennyson)