Scene Analysis from Citizen Kane

Often regarded as the greatest film constantly made, because of the use of cinematography, narrative twist and medical specialty etc. that was ripe of the time it was made in, Citizen Kane (Orson surface 1941) is a film á clef that peers into the vicissitudes in the feel of a composition tycoon, Charles Foster Kane, through the accounts of the volume in his life that was tightly satisfactoryting to him in order to pass the mystery of his dying word, Rosebud. The season that will be analysed is the succession where in Xanadus pantrymans account of when he heard Rosebud, Susan Alexander, Kanes import wife, leaves him for good, sending him into a fit of rage which results in his profound departure. This analysis will scatter apart the sequence and put in it back together again to extract the main themes that eject from it.\nIn the opening learn of this sequence, the dissolve from the exterior view of the day takes us to a large K, attach to by dramatic non diegeti c music. The interpolate in music in all interrupts the calm emphatic music that was playing before it, which foreshadows a dramatic scene ulterior on in the sequence. The K imposes itself on us; nigh looming over us comparable Kane does to Susan in the previous reciprocating saw sequence. This reinforces his overbearing, self-centred and narcissistic spirit that has increased with his age, and that Susan has had enough of.\nThe low gear word uttered after this opening is Rosebud, and as the camera cuts to Mr Thompson and his interviewee, the deject behind them glare in through the windows illuminates the staircase. This lightheaded symbolises Mr Thompsons quest to run across the meaning of Rosebud, as he is literally shedding light on Kanes life by peeking through it. This is uniform to the scene where Mr Rawlston told Mr Thompson to find away what Rosebud meant, where the room was shrouded in nighttime apart from the light stream in through the windows. That symbo lised the mysteriousness of Kanes life...